Wednesday the 3rd.
Just got on with printing up the Creek today. Happy with some bits not so with others areas.
Like my 'foliage pattern' as a starting point. Though it looks a bit too much like actual palm fronds rather than general foliage. Also prefer the two colour pattern rather than the final black.
Water works okay and did have some registration issues as the press actually stretched either the paper or the Lino itself. This meant just the bottom section was out of registration but the rest of the print was fine.
The white stuff on one of the finished prints in the photo's below is talcum powder. Another suggestion of Elizabeth. Sprinkled on sections of the print after inking it prevents the ink in the sprinkled areas printing. So you see the underlying layer. Gives a nice effect but was a bit of an afterthought on this print. Think it will work better if it is planned in from the beginning.
Need to get back down to Stoney Creek get some more drawing done. Elizabeth tells me there are more swimming holes further up the track.
The blog of linocut artist Ian Phillips with print techniques, new work, exhibitions and events.
Thursday, 4 October 2012
Wednesday, 3 October 2012
D.Day 11 A quiet day at the press
Tuesday the 2nd ,
Pretty quiet day at Djumbunji, no one else in, so I'm just getting on with cutting the Stoney Creek to print the next colour.
After a while Billy Missy comes in to have another go at a reduction print. This time I'm going to demonstrate with the first print and Billy will do the rest of the edition himself.
It's a lovely little print of a Torres Strait Pigeon sitting in a fruit bush.
It didn't go completely to plan, registration issues, but still had a lot of character.
I also managed to finish cutting the creek picture so can print that tomorrow.
Pretty quiet day at Djumbunji, no one else in, so I'm just getting on with cutting the Stoney Creek to print the next colour.
After a while Billy Missy comes in to have another go at a reduction print. This time I'm going to demonstrate with the first print and Billy will do the rest of the edition himself.
It's a lovely little print of a Torres Strait Pigeon sitting in a fruit bush.
It didn't go completely to plan, registration issues, but still had a lot of character.
I also managed to finish cutting the creek picture so can print that tomorrow.
Friday, 28 September 2012
D.Day 10 Cutting the Creek
Another day chatting with Brian and watching him work. He has such an infectious enthusiasm for his work. Like a child playing he has a constant philosophy of "What happens if I do this, what about this, could I cut this out and..."
It's very educational in that you start thinking along similar lines. What if I did this, why Don't I try that.
My sketchbook is filling up with things to work on when I come back.
Finished cutting the white on Stoney Creek and printed the first colour. It's the biggest print I've done so far, twice the size of any previous print. I got to play with a true whopper of a roller though which cut the printing time down considerably.
Did the first layer a lot darker than usual so we'll see what happens with the second colour.
It's very educational in that you start thinking along similar lines. What if I did this, why Don't I try that.
My sketchbook is filling up with things to work on when I come back.
Finished cutting the white on Stoney Creek and printed the first colour. It's the biggest print I've done so far, twice the size of any previous print. I got to play with a true whopper of a roller though which cut the printing time down considerably.
Did the first layer a lot darker than usual so we'll see what happens with the second colour.
D.Day 9. Drawing up the Creek
Thursday the 27th. Kacey the Studio Manager finally got control of the wayward computer. This allowed me to scan my Stoney Creek sketch, enlarge and print out the sheets. I then had a pleasant morning chatting with Brian about pattern, identity and sponge bob square pants.
Had some great ideas for the future.
Once Brian left I had the studio to myself to draw up the sketch and work out what I was going to do with it.
Had some great ideas for the future.
Once Brian left I had the studio to myself to draw up the sketch and work out what I was going to do with it.
Wednesday, 26 September 2012
D.Day 6. Waiting for Billy
Monday the 24th. I am supposed to be working with Billy Missy today. He has some ideas for a reduction print he wants to work through with me.
Unfortunately it turns put he is ill so won't be coming in, means I get the day to finish off my 'Ibis of Ideas' before he comes in tomorrow.
I changed my mind while printing the ibis about using the embossing. I just used the colour layers to give some visual depth.
It's what we call a Variable Edition. I.e there is quite a lot of variety in the edition. In some I printed white feathers on the back but the others I did varying strengths of blue or brown, as well as a black and white version.
Spot the difference!
Unfortunately it turns put he is ill so won't be coming in, means I get the day to finish off my 'Ibis of Ideas' before he comes in tomorrow.
I changed my mind while printing the ibis about using the embossing. I just used the colour layers to give some visual depth.
It's what we call a Variable Edition. I.e there is quite a lot of variety in the edition. In some I printed white feathers on the back but the others I did varying strengths of blue or brown, as well as a black and white version.
Spot the difference!
D.Day 8 Finally Billy Missy
Wednesday September 26th After all the waiting I had a day working with the Torres Strait Islander Billy Missy today.
He'd got an image he's had on Lino for a while and as we doing a reduction test print thought he would finally get a use from it.
The idea was that I would teach Billy reduction and then he would be able to do it himself! I think having worked with editioning printmakers like Elizabeth, who do all the printing work, Billy saw me as the guy who printed.
So we chatted about his ideas, I advised, he cut and I mixed colours, inked up and printed.
Together we came up with a lovely little print and I tried out some colours I had been thinking of for my Stoney Creek print.
The first proof, to check the pressure of the press, was printed on the back of an old print of Billy's. The old design slightly showing through the new proof gave me a couple of ideas.
I think he was happy. He's talking about some bigger prints next time.
He'd got an image he's had on Lino for a while and as we doing a reduction test print thought he would finally get a use from it.
The idea was that I would teach Billy reduction and then he would be able to do it himself! I think having worked with editioning printmakers like Elizabeth, who do all the printing work, Billy saw me as the guy who printed.
So we chatted about his ideas, I advised, he cut and I mixed colours, inked up and printed.
Together we came up with a lovely little print and I tried out some colours I had been thinking of for my Stoney Creek print.
The first proof, to check the pressure of the press, was printed on the back of an old print of Billy's. The old design slightly showing through the new proof gave me a couple of ideas.
I think he was happy. He's talking about some bigger prints next time.
D.Day 7 Stoney Creek
Tuesday the 25th. I'm expecting Billy again today if he is not ill. Unlike yesterday though I've nothing to do in the studio if I have to wait all day to find out if he is coming in or not. I finished the Ibis yesterday and haven't been out drawing yet. At about 10.00 we phone Billy. He'd forgotten he has a teachers conference today. In tomorrow. I print up the Yarrabah shark for Elizabeth then go to pick up the family for a trip to Stoney Creek swimming holes.
While the kids play in the shallow water I explore up river. It's a hot prehistoric landscape of trickling streams amidst huge boulders.
It's Immediately apparent that in the wet season there must be a really dramatic torrent through here to pile stones this huge into such random collections. I got off a little sketch that has some potential.
While the kids play in the shallow water I explore up river. It's a hot prehistoric landscape of trickling streams amidst huge boulders.
It's Immediately apparent that in the wet season there must be a really dramatic torrent through here to pile stones this huge into such random collections. I got off a little sketch that has some potential.
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